FICHIER GUITAR PRO v3.00Always On The RunLenny Kravitz and SlashEDSolo should be improvised with given scales. Use as a rough outline.Z            ÿÿÿÿ                ÿÿÿÿ                ÿÿÿÿ       SSlash 1@;72-(ÿÿÿÿÿ Lenny Kravitz@;72-(ÿÿÿÿÿ Slash's Solo@;72-(ÿÿÿÿÿ"!Les Paul, lots of bass, less mid,p(((D)(Distortion, use bridge pick-up, cut bassD('Les Paul, saturated overdrive, cut some   @( Use bridge pick-up  @ (  "@þ@þP.M.  @( P.M.  @ ( ( ( @þ@þ P.M.  @( P.M.  @P.M. (  "Dþ Boost upper mids at around 3kHz@þP.M.  @( P.M.  @ ( ( ( @þDþ#"bass, boost upper mids and trebles P.M.  @( P.M.  @P.M. (  "Uses a gibson Les Paul ? ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  Verse 1, P.M.  @( P.M.  @P.M. (  "Verse 1 ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þ P.M.  @( P.M.  @ (        ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  Chorus 1         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ Chorus 1  ÿ @ @  @ ÿ ÿ ÿ(  ÿ( @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ @ @  @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ          ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ  ÿ @ @  @ ÿ ÿ ÿ(   @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @  @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (   ÿ ÿ ÿ ÿ     ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  Verse 2, P.M.  @( P.M.  @P.M. (  "Verse 2 ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  @ (  $P.M.  @P.M. ÿ(222-<     ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þ P.M.  @( P.M.  @ (        ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  Chorus 2         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ Chorus 2  ÿ @ @  @ ÿ ÿ ÿ(  ÿ( @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ @ @  @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ          ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ  ÿ @ @  @ ÿ ÿ ÿ(   @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @  @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (   ÿ ÿ ÿ ÿ     ÿ ÿ ÿ ÿp( ( ( p    p    p    @ÿ@(Solo                    Solo ÿ ÿ @ @0  0 ÿ ÿ  ÿ ÿ     ÿSolo, A Myxolydian          (     (     (     (                          <(((( ÿ ÿ @ @0  0 ÿ ÿ @ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ(dd<d    ( (     ("   ( " 0   P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ ÿ ÿ  @ ÿ ÿ    @      @ ÿ ÿ ÿ ÿ ÿ ÿ  E Dorian (dd<d (dd<d  (dd<d ÿ(ÈÈ<È(22<2   (222-<     P.M.  @( P.M.  @ (                   @ ÿ ÿ   @ ÿ ÿ  @  (dd<d     (ddd-<     (dd<d   (ddd-<                                           ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ      (  @ @  ÿ   ÿ ÿ (dd<d(dd<d  (dd<d      (    (dd<d                       <     ( ( ( ÿ ÿ      ÿ ÿ ÿ         (dd<d      *dd<d``  (   @    P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( $E Blues@(22<2 @  @  @   (   @(22<2 @  @  @   (   @(22<2 @  @  @   (   @  @  @ @   (  @  P.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p     ( (    (  (          @   (  (ddd-<      (  ( 222-< $ don't rehit( 222-<           P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ(      * "@ÿP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  Verse 3, P.M.  @( P.M.  @P.M. (  "Verse 3 ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þ P.M.  @( P.M.  @ (        ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  Chorus 3         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ Chorus 3  ÿ @ @  @ ÿ ÿ ÿ(  ÿ( @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ @ @  @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ          ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ  ÿ @ @  @ ÿ ÿ ÿ(  ÿ( @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ @ @  @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ          ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ  ÿ @ @  @ ÿ ÿ ÿ(  ÿ( @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ @ @  @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ          ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ         ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ  ÿ @ @  @ ÿ ÿ ÿ(  ÿ( @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ @ @  @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  " ÿ ÿ ÿ ÿ @ @  @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (   ÿ ÿ ÿ ÿ     ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  Brass outro   @( @ @prebend, pull-off(ddd-<        Brass outro ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( Dþ Brass outro   @( @ @ ÿ gradual bend(22<2"  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þP.M.  ( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þ ("  ( (          ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ P.M.  @( P.M.  @P.M. (  ÿ" ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þP.M.  @( P.M.  @ ( ( (  ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  @( @ @P.M. ÿ(ddd-<  (ddd-<  ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þ   @( @ @(   ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp( ( ( p    p    p    @þ  @ (  $P.M.  @P.M. ÿ (222-<      $ pull-off     ÿ ÿ ÿ ÿ @ @ @ @ ÿ @ ÿ( @þ  @( @ @        ÿ ÿ ÿ ÿ @ @ @  ÿ ÿ ÿ ÿp ÿ ÿ ÿp    p    p    @þ (@@ÿp    p    (@@ÿ@þ